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THE BAD: For a huge studio like Dreamworks the animation is lazy. It's conceptually hysterical having an adult voice coming out an adorable baby (this is why everyone’s favorite Family Guy character is Stewie) so Baldwin’s voice is the perfect fit for the film. With Baldwin’s voice interacting with Miles Bakshi (who oddly got his start voicing one of the Shrek babies), the jokes really write themselves. No, it is not as unique as Baldwin voicing a Russian Santa Claus in Rise of the Guardians, but his delivery on his dialogue that works. The humor has a few adult jokes that are pretty funny, but the true comedy comes from the dialogue of the Boss Baby himself.Īs you would guess it, Alec Baldwin’s voice performance is the driving force of the movie. Like the Madagascar films, it’s more comedy-centric than story-centric and thanks to McCullers the jokes thoroughly works. The screenplay is written by Michael McCullers who previously co-wrote several adult comedies such as Baby Mama, Austin Powers 2 & 3, and Undercover Brother with John Ridley. Surprisingly this Dreamworks film doesn’t involve funny visual gags, for the screenplay makes most of it work.
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The movie is laugh out loud funny at times and it's mostly due to the script. It is something that children will appreciate as they will relate to Tim and his imagination.įor a film with such a weak premise, it surprisingly offers a lot of sharp and clever dialogue. It is in the vain of watching The Backyardigans for it follows the same art style where the characters’ animation remain the same as the background’s art style changes. Because of his young age, he has a vivid imagination which leads to sequences where Tim is playing pretend. The movie is from 7-year-old Tim’s point of view. Like plenty of Dreamworks films it is bright and vibrant and colorful, but what makes it distinct amongst some of their earlier efforts is the addition of watercolor with its art. The film is imaginative and geared towards younger audiences from the visuals. The film begins with a quite a creative introduction to the Boss Baby starting off into the world where you either get sent to a family or work in Babycorp Management. A talking baby? I’m sorry I got Family Guy to look to for that, but the beginning of the film, it starts to exhibit creativity. The great thing about The Boss Baby is Dreamworks veteran director Tom McGrath ( Madagascar, Megamind) inputting his own creativity in a film that on the surface has little to no creativity with the premise.
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THE GOOD: When you think, Dreamworks ran out of ideas with their films they know how to hire directors to add creativity and humorous originality with their films. Both brothers must unite to save their parents and restore order to the world and prove that love is indeed an infinite force. Francis (Steve Buscemi) which revolves around his baby brother and threatens to destabilize the balance of love in the world. When he goes on a mission to win back the affection of his parents (Jimmy Kimmel and Lisa Kudrow), he finds out about a secret plot by Puppy Co.'s CEO Francis E. A man named Tim Templeton (Tobey Maguire) narrates and describes his seven-year-old self (Miles Bakshi) as being jealous of his fast-talking, briefcase-carrying baby brother named the "Boss Baby" (Alec Baldwin).